Whether you're searching for the best Christmas gifts for friends or want a special present for your wife, we've chosen a range of gifts she'll love no matter how much you want to spend. (3 stars, good juice) | $150 for 200ml go to one of the best Christmas gifts for her this December and you'll truly delight the special woman in your life. L’Eau des Hespérides will have fans and detractors, but it brilliantly expands both the genre and the Diptyque collection. It stays, proves stableĪnd diffuses perfectly. Pescheux, with startling technical expertise, has created one with excellent persistence on the skin. Most eaux fraîches disappear as rapidly as twilight. Imagine the smell of a dentist’s office (dentists historically used clove, and the smell has stuck), only fetishized.Īnd that’s just the scent. This is a quintessential Diptyque: dark, moody, odd, consciously inaccessible, arcane, striking, insistent on The result is an exercise in transcending the genre. Of peachy-apricoty fruit, green leaf and ripe human body. Here, Pescheux used bitter orange oil, peppermint oil and immortelle, a flower that gives an astonishing combination (to the Greeks they were oranges, not apples), and citrus is the heart of any eau fraîche. The Hesperides was the mythical Greek garden from which Hercules stole the three golden citrus fruit It is the third, L’Eau des Hespérides, that shows what Diptyque can do with a simple eau fraîche. Of eliding cliché, as the perfume attempts to do. Its structure is “classic,” the polite word for traditionalist, which itself is a way The first of these Pescheux based on the 1968 L’Eau, and it is called, clearly enough, L’Eau de l’Eau. “For the 40th anniversary, we wanted to make three new perfumes using them.”
Said Pescheux recently at Diptyque’s loft on Madison Park. “The inspiration for L’Eau was potpourri: geranium, lavender and patchouli,” Today, a much healthier Diptyque is having its new triplets presented by the perfumer who created them, the talented Olivier Pescheux. And an excellent creative director of perfumes. DiptyqueĬlaimed the house’s English founder, Desmond Knox-Leet, made the perfume. Diptyque has always been obsessed with both its purity and its myth, a narcissistic and unhealthy fixation that led the house into trying to hide its perfumers’ identities. The first Diptyque scent, created by perfumer Norbert Bijaoui in 1968, was an eau fraîche,Ĭalled L’Eau de Diptyque.
Ice cream: You could, but why? Diptyque has just launched not one but three new eaux fraîches, and their response is simple. This is why the choice of its latest triptych of launchesĪn eau fraîche (“cool water,” the original 17th- and 18th-century scented waters whose basic formulae of lemon, bitter orange, spices and herbs led to modern perfume) is the scent equivalent of vanilla Against the flood of focus-grouped syrup, the house has resolutely charted noncommercial, inaccessible territory and done it brilliantly.
Eau de Lierre is mesmerizing, Olene is wonderfully strange and L’Ombre dans l’Eau is not merely strange butīracingly rebarbative. Their brilliant Philosykos,Ĭreated in 1996 for Diptyque by Olivia Giacobetti, is often credited with the late 1990s fig craze. Diptyque is an avant-garde, resolutely chic Parisian scent concern whose perfumes and candles push boundaries, take risks and generally form one of the most interesting collections in the world.
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